Pushed Performance, Beijing, China, 2014

Pushed at Chambers Fine Art, Beijing
Exhibition Date: February 22 – March 23, 2014

Opening Reception: Saturday, February 22, 3 – 6 pm

In this body of work, created specifically in Beijing for Chambers Fine Art, Marcos Lutyens explores the impact that texts, SMS’s and push notifications have on our psyche. Our lives have become kaleidoscopic as so many impressions converge on us, collapsing distance and space into the palm of our hand. As each push arrives, in a given sequence, a dopamine rush is released generating a cycle of search and reward.

The works in the exhibition include pushed ‘Cycles’: on a raw, concrete-like canvas background, push notifications from Twitter, What’s App, WeChat and other app’s generate a parametric system of drips as the canvas slowly rotates. The color-coded drips converge in a slow centripetal movement and create complex patterns of associations, just as the succession of pushes that we receive on our ‘phones drive unconscious dopamine and opioid loops that lie somewhere between obsession and addiction. In this way, the canvasses become a mirror to the subconscious emotional processes that are unleashed in our bodies throughout the day.
At the opening of the exhibition on February 22, a live performance by the artist, ‘Pacemaker’, brings this cadence of pushes into the gallery in real time, as each notification chime triggers a sequence of events that transform sound into a visual display, externalizing and ritualizing a process that is usually experienced internally and individually. There will be further live demonstrations every Saturday afternoon between 3 and 4pm during the exhibition.

‘Circatextian’, a film in the project room, replaces our natural circadian rhythms with a phase resetting process, as each time a chime is heard and felt, it is matched by a flash of light which is processed by brightness receptors in the eye, thus entraining us to a new type of clock tuned to the pushes instead of our night/day cycle.
Marcos Lutyens is an intermedia artist who has exhibited and performed internationally, including at dOCUMENTA(13), LACMA, MOCA, the Pompidou Centre, the Royal Academy, the Venice Biennale. He has often worked with various tools and approaches to explore the unconscious and associated schema.

At dOCUMENTA(13), Lutyens completed 340 hypnosis performances over a 100 day period in a specially designed cabin. Lutyens engaged in experiments with Dr. V. S. Ramachandran, Director of the Center for Brain and Cognition, at the University of California, San Diego to explore the brain's neural pathways in the synesthetic mind. His work with the mind has lead him to develop events and exhibits that reflect research with specific social or ethnic groups such as the Muxhe, from the Zapotec culture in Southern Mexico. Building on his investigations into consciousness and social dynamics, Lutyens has worked on large-scale projects that involve interactivity, the environment and new technologies. Works include external and internal data tracking and brain wave monitoring that are generally invisible to the casual observer, and yet as important to us as the subjective processes of the inner mind.

His work is held in public and private collections of note around the world, including Inhotim, the Dena Foundation, the Fico foundation and the Documenta Archive.
For more information, please contact the gallery at +86 (0)10 5127 3298 or bj@chambersfineart.com


开幕酒会:2014年2月22日(周六)下午3:00 – 6:00

本次展览的第三部分为影片“简讯时钟”。影片中,每次收到“推送”通知的同时,便释放出强光, 使我们察觉到这些隐藏的韵律,从而替代了昼夜周期的生理时钟。
卢腾思的创作涵盖多重领域,企图以不同的方式建立能够深入潜意识的通道。 近年的参展包括第十三届卡塞尔文献展,洛杉矶郡立美术馆,洛杉矶现代美术馆,巴黎蓬皮杜艺术中心,英国皇家艺术硏究院,威尼斯双年展等。

如需更多信息,请致电画廊+ 86 (0)10 5127 3298或发邮件至 bj@chambersfineart.com

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